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Artist
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Title | Thumbnail |
Notes old |
Media |
Signature status |
| George Jo Mess |
Summer Solitude |
 |
Ed. 2/100 |
Etching |
Signed Lower Right |
| George Jo Mess |
Tropical Flower |
 |
Ed. 3/50 |
Etching |
Signed Lower Right |
| Louis Oscar (L.O.) Griffith |
Winter Hills |
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|
Etching |
Signed Lower Right |
| Kenneth Reeve |
Winter Nocturne |
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|
Etching |
Signed Lower Right |
| Paul Turner Sargent |
Brown County Creek |
 |
This painting was featured in our weekly email on 10/13/17 along with the following gallery comments:
Paul Turner Sargent was from Charleston, Illinois and spent his entire life as a bachelor painter/teacher living on the family farm. The University of Eastern Illinois (in Charleston) has an extensive Sargent collection. The artist began traveling to Brown County to paint in 1920 and continued painting there throughout his career. Today's work, Brown County Creek (our title), is a cute little painting and very representative. It's housed in the original frame (that we're currently re-finishing); the painting has been cleaned and it is in perfect condition. |
Oil on Board |
Signed Lower Right |
| Frederick Polley |
Brown County with Figures |
 |
|
Etching |
Signed Lower Right |
| Varaldo Guiseppe (V.J.) Cariani |
Musician |
 |
|
Etching |
Signed Lower Right |
| James Eccles |
Untitled Brown County #1 |
 |
SOLD
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This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center.
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Original frame
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This painting, along with three other like-size and framed painting-siblings, was featured in our weekly email on 10/27/17 along with the following gallery comments:
Gray and rainy in Indianapolis today. What a wonderful six months of temperate weather we leave behind--one of the nicest summers I can remember. Sucks to be you, California ;-). James Eccles had a career as a banker in Chicago and in his retirement, painted full time. Most of his works were Brown County landscapes. He combined travel and other paintings emanate from the Far East and Caribbean. Today's four pieces are great little examples. They're all in Eccles trademark 'high-key' style and typical of his Brown County work showing the spare, rural existence. The 8x10 format works really well for Eccles -- his style and composition ring very true in this small size. All four pieces are in excellent shape, have been through light cleaning and all are housed in the original frames (Eccles specials -- gesso over a gold base). Charming paintings. |
Oil on board |
Signed lower left |
| Anthony Buchta |
Harvest Time in Peaceful Valley |
 |
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This painting appeared in our Fourth Annual Curated Sale of Historic Indiana and American Art. "Invaluable.com":https://www.invaluable.com/catalog/fd85ul6e46<br>
Recently conserved. Recent frame. An excellent example of Buchta's work. |
Oil on Canvas |
Signed Lower Right |
| Hallie Pace Prow |
Afternoon Sunlight in the Brown County Hills |
 |
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SOLD
This painting will appear in our 2nd Annual Curated Sale of Historic Indiana Art taking place Sunday April 8, 2018 at the Indianapolis Art Center.
"Click here":https://www.invaluable.com/catalog/sbnab2u53c for online catalog and pre-sale bidding.
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Oil on Canvas |
Signed Lower Right |
| C. Curry Bohm |
In the Valley of Peace |
 |
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This painting was featured in our weekly email on 8/11/17 along with the following gallery comments:
Claude Curry Bohm was born in Tennessee and art studies completed, settled and began a career in Chicago. Like so many Chicago artists (and probably because of so many…), he was introduced and became enamored of Brown County. His visits began in 1920 and he moved there permanently in 1932. He was very prolific working in both oil and watercolor. His work appeared a stunning 106 times in the Hoosier Salon Annual Exhibition over a forty five year span of entries. (Geek challenge: Is that the record for Salon entries by a single artist?). Today’s painting, In the Valley of Peace (our title) is a marvelous example. A square-ish, early Spring landscape enveloped in a cloud. Wonderful colors and overall effect – exhibition quality. Painting has been cleaned and is in good condition; housed in the original frame. |
Oil on Canvas |
Signed Lower Left |
| Frederick Polley |
Bear Wallow Road |
 |
SOLD
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This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center.
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Oil on Canvas |
Signed Lower Right |
| Carl Rudolph Krafft |
A Mountain Vista |
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|
Oil on Canvas |
Signed Lower Right |
| Carl Rudolph Krafft |
Ozarks Landscape |
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SOLD
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This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center.
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Oil on Canvas |
Signed Lower Right |
| Carl Rudolph Krafft |
One Winter Day |
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|
Oil on Canvas |
Signed Lower Right |
| Carl Lotick |
Warm Tones of a Winter Sky |
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|
Oil on Board |
Signed Lower Right |
| John (Jan) Zwara |
Brown County Cabin |
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Annotated, lower right: "1940 Brown County R.R. 4 Nashville Thomson (?) Ranch (illegible)" |
Gouache on paper |
Signed lower right |
| Edward R. Sitzman |
Happy Days |
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This painting appeared in our 2019 Fall Curated Sale of Historic Indiana Art.
|
Oil on Canvas |
Signed Lower Right |
| Bess Whitridge |
Floral Still Life 1 |
 |
This tile was featured in our weekly email on 9/1/17 along with the following gallery comments:
We bought these two tiles with some other Richmond pieces and at the time, I had no idea who Bess Whitridge was. Shaun Dengworth of the Richmond Art Museum was kind enough to give me a brief 411 on her and the kooky ceramic painting movement that seemed to be taking the art world by storm for a second, around the turn of the century. These pieces, 6” painted tiles, are very typical of Whitridge’s output. |
Painted Tile |
Signed Lower Right |
| Bess Whitridge |
Floral Still Life 2 |
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This tile was featured in our weekly email on 9/1/17 along with the following gallery comments:
We bought these two tiles with some other Richmond pieces and at the time, I had no idea who Bess Whitridge was. Shaun Dengworth of the Richmond Art Museum was kind enough to give me a brief 411 on her and the kooky ceramic painting movement that seemed to be taking the art world by storm for a second, around the turn of the century. These pieces, 6” painted tiles, are very typical of Whitridge’s output. |
Painted Tile |
Signed Lower Right |
