Gallery

Artist Title Thumbnail Notes old Media Signature status
Robert Selby Red Barn Red Barn Watercolor on Paper Signed Lower Left
Hugh M. Poe Women in Gowns Women in Gowns (1928) Pastel on Board Signed Lower Right
Carl Lotick Spring Stream Spring Stream Oil on Board Signed Lower Left
Carl Lotick Late Summer's Eve Late Summer's Eve Oil on Board Signed Lower Right
Carl Lotick Early Autumn Farm Early Autumn Farm Oil on Board Signed Lower Left
Carl Lotick Autumn Stream Autumn Stream Oil on Board Signed Lower Right
Carl Lotick Autumn Pool Autumn Pool Oil on Board Signed Lower Left
Carl Lotick Winter Stream with Bridge Winter Stream with Bridge Oil on Board Signed Lower Right
Carl Lotick Southern Indiana Lane Southern Indiana Lane Oil on Board Signed Lower Left
Carl Lotick Autumn Stream Autumn Stream Oil on Board Signed Lower Left
Carl Lotick Corn Shocks in Fall Corn Shocks in Fall Oil on Board Signed Lower Left
Carl Lotick Autumn Stream Autumn Stream Oil on Board Signed Lower Left
Carl Lotick Spring Stream Spring Stream Oil on Board Signed Lower Left
George Jo Mess Snow Bound Snow Bound Edition 43/50 Etching on Paper Signed Lower Right
George Jo Mess Season's Greetings Season's Greetings Etching on Paper Signed Inside Card
George Jo Mess Christmas Eve Christmas Eve (1954) Etching on Paper Signed Lower Right
George Jo Mess Covered Bridge Covered Bridge Etching on Paper Signed Lower Right
John (Jan) Zwara McCormick's Creek Falls McCormick's Creek Falls (1945) Gouache on Paper Signed Lower Left
John (Jan) Zwara Returning from the Catch Returning from the Catch (1944) This painting was featured in our weekly email on 1/13/17 along with the following gallery comments: If you follow Indiana art, you’re probably familiar with the moving story of Jan Zwara. A trained painter and Hungarian émigré, he came to the US in the early twentieth century. He found initial work as an itinerate laborer and moved about for several years. He eventually wound up in Indianapolis, around 1930. He was befriended by Alex Vonnegut as well as art dealer Herman Lieber. He was diagnosed with having severe mental health issues (schizophrenia, much better understood today) and at the urging of Vonnegut, checked into Central State Hospital in 1938. He only remained for about six months but created a huge body of work depicting the grounds during his stay. His problems before the stay at Central State remained his problems after leaving – largely homeless, indigent, not a strong English speaker and of course, mental illness. He nevertheless was a prolific and very talented painter throughout his existence, passing away in 1951. Today’s piece, Back from the Catch (our title) was created in 1944. Zwara would have been Indianapolis-based at this point and it’s often been suggested to me by others who have seen the work, that it was probably painted from a photograph. Perhaps something in Life magazine (or similar). However it came to be – it’s a rather stunning example of a Zwara gouache. The gouache medium, with it’s applied white tones works to great effect in the sea waters floating the trawler. Zwara is one of my favorite Indiana artists and though this piece isn’t a more representative Indiana landscape, it beautifully captures a rapturous sunset and the fishing boat in calm, open seas. Well done, Jan Zwara! Gouache on Paper Signed Lower Left
John (Jan) Zwara Seascape Seascape (1942) This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center. Oil on Board Signed Lower Left

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