|
Artist
|
Title | Thumbnail |
Notes old |
Media |
Signature status |
| Glenn Cooper Henshaw |
New York Nocturne |
 |
-
This painting was featured in our weekly email on 7/28/17 along with the following gallery comments:
Though known for traveling the Western world, Glenn Cooper Henshaw spent most of his non-traveling career in New York where he long-maintained a studio. And in my estimation, his New York cityscapes (particularly the nocturnals) are his most compelling works. Today's piece, New York Nocturne (our title) is an excellent example of just that -- a vertical pastel looking down the throat of Madison Ave. with the lights, figures and features all brought together in a chorus of shape and swirl. Find me those drugs! |
Pastel on Paper |
Signed Lower Right |
| Richard Buckner (R.B.) Gruelle |
Coastal Inlet |
 |
|
Watercolor on Paper |
Signed Lower Right |
| George Jo Mess |
Glorious Autumn |
 |
SOLD
---
This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center.
--- |
Oil on Canvas |
Signed Lower Right |
| Georges LaChance |
Homeward Bound |
 |
|
Oil on Canvas |
Signed Lower Left |
| Evalyn Gertrude James |
Along Billy Creek |
 |
|
Oil on Canvas |
Signed Lower Left |
| Evalyn Gertrude James |
Reflections Along Billy Creek |
 |
SOLD
---
This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center.
--- |
Oil on Board |
Signed Lower Left |
| James Eccles |
Along the Creek |
 |
SOLD
---
This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center.
---
|
Oil on Canvas |
Signed Lower Left |
| Leota Williams Loop |
Autumn, Brown County |
 |
|
Oil on Canvas |
Signed Lower Right |
| George Jo Mess |
Edge of the Forest |
 |
Edition 35/50 |
Aquatint Etching |
Signed Lower Right |
| Kenneth Reeve |
The Road to Cataract Falls |
 |
|
Aquatint Etching |
Signed Lower Right |
| Kenneth Reeve |
The Old Mill |
 |
|
Aquatint Etching |
Signed Lower Right |
| Charles Dahlgreen |
Winter Thaw #2 |
 |
|
Etching |
Signed Lower Right |
| Karl C. Brandner |
Watching over the Herd |
 |
-
This painting was featured in our weekly email on 5/26/17 along with the following gallery comments:
Karl Brandner studied and painted in the Chicago area but other destinations included Brown County and the American Southwest. Today's example, Watching over the Herd (our title) is obviously Southwestern subject matter featuring two Native Americans watching over their animals in the valley below. The painting has been cleaned and is in perfect condition. Currently unframed -- we will put it into an antique reproduction frame for the price quoted above.
|
Oil on Canvas |
Signed lower right |
| Frederick Polley |
Christ Church |
 |
Unframed |
Commercial print on paper |
Signed lower left (in the plate) |
| Richard Buckner (R.B.) Gruelle |
Spring Landscape |
 |
SOLD
This work was featured in our 2nd Annual Curated Sale of Historic Indiana Art, April 8th, 2018 at the Indianapolis Art Center.
---
-
This painting was featured in our weekly email on 6/16/17 along with the following gallery comments:
R. B. Gruelle was largely a self-trained artist and spent his early career in Illinois doing the portraiture circuit. He moved with his family to Indianapolis in 1882 and, upon their return from Europe, took up association with T.C. Steel, William Forsyth, Otto Stark, J. Ottis Adams and other local artists. Gruelle’s career took a leap forward when he was included in the Five Hoosier Painters show which was exhibited in Chicago in 1894. Those ‘Five Hoosier Painters’ then became known as The Hoosier Group and it’s an esteemed coterie of Indiana artists. Today’s painting, Spring Landscape (our fancy title) was executed while he was still living in Indianapolis. Throughout the decade of the 1890s, Gruelle was often traveling to the East Coast. So the conundrum here (as the painting ain’t talkin’): what is that town featured in the background? It could conceivably be Indianapolis from Crown Hill but none of the obvious landmarks (esp. the State Capitol Building) are present. So it’s a mystery, at the time of this writing, what the setting is. That said, a very nice example with the dogwood in bloom and highlighting Gruelle’s gouache work. |
Gouache on paper |
Signed lower right |
| Evalyn Gertrude James |
The Bunny Trail (1960) |
 |
|
Oil on Board |
Signed Lower Right |
| Evalyn Gertrude James |
Pastel Tints of Late October (1961) |
 |
|
Oil on Board |
Signed Lower Right |
| Grace Neville Carrothers |
Country Garden |
 |
|
Oil on Board |
Signed Lower Left |
| Maude Kaufman Eggemeyer |
Snow Bound Brook |
 |
|
Oil on Board |
Signed Lower Right |
| George Herbert Baker |
Richmond Woods |
 |
|
Watercolor on Paper |
Signed Lower Right |
