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Artist
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Title | Thumbnail |
Notes old |
Media |
Signature status |
| Robert Selby |
Grazing |
 |
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This painting sold at our 10/2/22 Fall Curated Sale of Historic Fine Art. |
Watercolor on Paper |
Signed Lower Right |
| Robert Selby |
Homeward Bound |
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|
Watercolor on Paper |
Signed Lower Right |
| Robert Selby |
Touch of Spring |
 |
Recently conserved; original frame. Hoosier Salon tag, verso. |
Oil on Board |
Signed Lower Right |
| Glenn Cooper Henshaw |
Fall Creek Homestead |
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"This is the homestead of A.J. and Emma Bushong in Middletown (Fall Creek Township), IN. G.C. Henshaw lived with Osa and Gretchen (swain) Bushong before he was married." written, verso. |
Pastel on Paper |
Signed Lower Right |
| Kenneth Reeve |
Covered Bridge in Winter |
 |
|
Watercolor on Paper |
Signed Lower Right |
| Sister Mary Rufinia |
Mixed Bouquet; Roses and Lilacs |
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|
Oil on Canvas |
Signed Lower Right |
| Lester Nagley, Sr. |
The Liar's Bench, Nashville, Brown County |
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|
Colored Etching |
Signed Lower Right |
| Carolyn G. Bradley |
Jacob's Pool |
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|
Watercolor on Paper |
Signed Lower Left |
| Carolyn G. Bradley |
Rocks and Surf, Las Cruces, Chile |
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|
Watercolor on Paper |
Signed Lower Left |
| Carolyn G. Bradley |
Church of Carmen 1, Guatemala |
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|
Watercolor on Paper |
Signed Lower Right |
| Carolyn G. Bradley |
Church of Carmen 2, Guatemala |
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|
Watercolor on Paper |
Signed Lower Right |
| Carl Lotick |
Autumn Stream |
 |
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This Lotick painting was featured in our weekly email on 11/13/13 along with the following gallery comments:
Where William McKendree Snyder painted highly realistic, tight Southern Indiana landscapes, there’s Carl Lotick who produced a regular flow of 9” x 14” Southern Indiana landscapes visioned and created in the studio ala Bob Ross. The sky is here and the creek goes there, the trees line the banks and we don’t have mountains. Done. Loticks landscapes look like but actually are not any place on earth. Like seeing some parallel reality. But god-bless-him, he kept at it and painted lots of them.
Otherwise notable, Lotick painted using marginal red paints. And a vast proportion of Loticks are void of red, because his cheap reds oxidized over the years and essentially left the painting. That’s why so many Loticks appear and are in fact, very blue/yellow/green with whites and browns. Void red. Pull a Lotick out of its frame you will see reds on the margins of the site – the part of the board covered up by the frame. Those reds exist in the margins because they didn’t oxidize – reds in the exposed painting oxidized and are gone
But I go on. This painting is a typical Lotick, a fantasy Southern Indiana creek through the beeches in autumn. I love it! Made-up and naïve, decent impasto and a cool old frame. One of our many examples -- check out the Lotick page for more.
Fine Estate is also selling an unusually large Lotick in a very interesting frame at Jackson’s Auction this weekend. See here for more info.
–Curt Churchman, Fine Estate Art
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Oil on Board |
Signed Lower Left |
| Oakley E. Richey |
Haunted House |
 |
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This painting was featured in our 2021 Fall Curated Sale of Historic Indiana Art, which took place at the Arch -- 617 East North Street, Indianapolis -- on Sunday, October 10th. View the auction listings "here":https://www.invaluable.com/catalog/594lytjsk6
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Oil on Canvas |
Signed Lower Right |
| Gordon Benjamin Mess |
Gloucester |
 |
|
Oil on Canvas |
Signed Lower Right |
| Frederik Ebbesen Grue |
Porcelain and Thistle |
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|
Oil on Board |
Signed Lower Left |
| Otto Stark |
Woodland Marsh |
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|
Pastel on Paper |
Signed Lower Left |
| Carolyn G. Bradley |
Cuyahoga River, Akron Ohio |
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|
Watercolor on Paper |
Signed Lower Right |
| Leota Williams Loop |
Marigolds and Queen Anne's Lace |
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Brass plate attached to front reads: "2 Indiana Federation of Clubs"
"Marigolds Leota Loop Kokomo, IND" written on stretcher bar, verso. |
Oil on Canvas |
Signed Lower Right |
| Charles Dahlgreen |
Spring Creek |
 |
Original Chicago Galleries Association tag attached, verso. |
Oil on Board |
Signed Lower Right |
| Robert Selby |
The Third Party |
 |
Exhibited at the 1958 Hoosier Salon |
Oil on Board |
Signed Lower Right |
